We become aware of the sacred because it manifests itself, shows itself, as something wholly different from the profane . . . something sacred shows itself to us . . . something of a wholly different order, a reality that does not belong to our world, in objects that are an integral part of our natural "profane" world.
I woke up from a dream several years ago and wrote the words, "God is a singing sound in the heart of silence." ... Silence is not an absence. It is a presence. Listen to the bird. Its sound comes from and returns to silence. Trees are surrounded by silence. They grow from silence. All things in nature are children of silence... At the core of my being there is an open road, and three words to guide me, TRUSTING/BREATHING/ATTENDING. Trusting that the universe is a friendly place. Breathing from the deepest part of myself. Attending to the process of becoming. These three guiding words of wisdom call me to travel the open road. To attend, breathe and trust in the heart of silence. To listen for the singing sound of God.
When I sing I feel ecstatic, as if in communion with God. Maybe, when I sing, that's when I feel and experience it most in my life -- that lack of separation from God... I think that a song, if you allow it into your heart, can remind you that you are whole, that you are not just a fragment, but everything. If people sing, if they let themselves really sing, they can feel that inside... No matter who you are, if you sing from deep within you, transformation happens. A song, whether you are singing or listening, can let your heart open to the spiritual world.
Late that afternoon I listened to Thomas Tallis's SPEM IN ALIUM, a motet written in the 16th century for forty voice, forty separate parts... I was sitting in my chair looking at Ma's photograph as I listened. At once, as the music began, the photograph started to emit great waves of Light. The Light possessed my mind and body, and I heard the music not without me but within my heart.
Her voice: In my stillness all the voices of the world rise in ecstasy. In my silence all the voices of the world are reconciled.
Each voice in the sublime motet sang in perfectly lucid ecstatic harmony with every other voice, forming endlessly changing transforming masses of illumined ripe sound.
In the new creation souls will sing together like this.
~ from HIDDEN JOURNEY: A SPIRITUAL AWAKENING by Andrew Harvey
Dr. Eaglefield Hull describes Scriabin's attitude to music: His first symphony is a "Hymn to Art" and joins hands with Beethoven's Ninth. His third, the "Divine Poem", expresses the spirit's liberation from its earthly trammels and the consequent free expression of purified personality; while his "Poem of Ecstasy" voices the highest of all joys -- that of creative work. He held that in the artists' incessant creative activity, the constant progression towards the ideal, the spirit alone truly lives.
My musical productions came into existence through understanding and pain. Those which pain has brought forth seem to please the world most ... (out of pain comes new birth ... new life).
