All that we love mirrors who we are. To be so imbued with love that we reflect it back with our whole being is a fundamental human longing ~ not only to love another man or woman, but actually to become love. When you become love you love everything around you. You greet every human being with love and draw love out of them. ~ You feel you are loved by God, so that God's love streams through you. Everything you do is marked by this love. You do your work for love ~ You do not have to create love in yourself. You have only to drink at the spring of divine love, which is bubbling up in you and is always enough.
The art of being lost is not a matter of merely getting lost, but rather being lost and enthusiastically surrendering to the unlimited potential of it and using it to your advantage. The shift from being lost to being found is a gradual one.
The way to encourage that shift is to first accept that you don't know how to get to the place you want to be and then opening fully to the place you are until the old goals fall away and you discover more soulful goals emerging. Then you are no longer lost, but you have benefited immensely from having been so.
~ Bill Plotkin from "The Art of Being Lost" in Soulcraft Musings #30 August 11, 2017
The rooting (of trees, of our selves) is as important and as necessary as the rising. We have the opportunity to sink roots into soul and rise up with branches in heaven...
Our spiritual growth is meant to go in both directions, toward the fertile darkness and the glorious light, each of us having the opportunity to bridge earth and heaven—the underworld and the upperworld—through the trunks of our middleworld lives....
There's no conflict between spirit-centered being and soulful doing, between transcendence and inscendence. Each supports and enhances the other. Like Rilke, we discover we can have both:
You see, I want a lot
Maybe I want it all;
The darkness of each endless fall,
The shimmering light of each ascent.
On a sould discovery journey in the desert, our group included Miguel Gruntlein, who had studied the Peruvian flute. Early each morning I would hear Miguel somehwere near the camp playing the most serene song to gree the dawn with the same haunting tune; as we moved camp, the tune changed. When asked, Miguel said he was playing the songs of the canyon. Each place has its own song and reflects a unique facet of his soul that comes alive in the particular wild place he visits, a conversation between Miguel and the wild.
