To move toward the desert where interior prayer and interior transformation can take place means a willingness to go into the desert, to learn to shut the door, and to move into the necessary solitude which prayer and the deeper levels of worship require.
Pavarotti retains a kind of religious, mystical, commitment to his "work.” And he insists on referring to it as "work,” claiming: "You can always love your work; your profession, at best, you can exercise.” Few people realize that the joyful tenor, the man who is always smiling, is almost a cloistered monk . . .
