It is strange how much we resist the inherent peace and quiet that is always possible. Perhaps this is because resting in simple presence is so foreign to a lifelong habit of mental complication, and we may have confused complication with a sense of aliveness. We may assume that having no particular mental project would result in boredom. Or we may be overwhelmed by how vast and free life suddenly feels when our minds are not on the hunt.
Kay and I went to Walpi, maybe the oldest continuous inhabited village on the continent... Near a stole altar lives an ancient great-grandmother, over a hundred years old, some say. She asked us to come in. Her hands are arthritic but she is a working potter. She not only throws the pots, but paints them afterward. I asked her how she manages to do it, since her knuckles are knotted by arthritis and she is nearly blind with cataracts.
She said, "It's not my hands that make the pot, it's my spirit. My hands are broken by my potteries hold my soul, and that's whole."
~ from THE THEFT OF THE SPIRIT by Carl A. Hammerschlag
Carl Hammerschlag relates a healing interaction he had with a very ill old Pueblo priest and clan chief, whom he was treating in the hospital:
Suddenly, there was this beautiful smile, and he asked me, "Where did you learn to heal?"
Although I assumed my academic credentials would mean little to the old man, I responded almost by rote, rattling off my medical education, internship and certification.
Again the beatific smile and another question: "Do you know how to dance?"
... I answered that, sure, I liked to dance; and I shuffled a little at his bedside. Santiago chuckled, got out of bed, and short of breath, began to show me his dance.
"You must be able to dance if you are to heal people," he said.
"And will you teach me your steps?" I asked, indulging the aging priest.
Santiago nodded. "Yes, I can teach you my steps, but you will have to hear your own music.”
~ from THE DANCING HEALERS by Carl A. Hammerschlag with thanks to Elaine Simard
