And we began to sing, "Why should I feel discouraged? Why do the shadows fall? "And Ranola watched Ken rather skeptically for a moment, and then her face began to melt and contort like his, and she went to his side and bent down to lift him up — lifted up this white rag doll, this scarecrow. She held him next to her, draped over and against her like a child while they sang. And it pierced me. I can't image anything but music that could have brought about this alchemy. Maybe it's because music is about as physical as it gets: your heartbeat; your essential sound, the breath. We're walking temples of noise, and when you add tender hearts to this mix, it somehow lets us meet in places we couldn't get to any other way.
Civilized people feel a loneliness and even an extreme melancholia in the jungle of the mind that may make stillness a terrifying experience, but we can pass through this barrier if we will learn to understand it. Then we would discover, as the Indians did long ago, that to stand in solitude on a mountain top at sunrise or sunset, or by a waterfall in some hidden canyon of ethereal beauty, and to absorb this majesty with utter peace and awe, in which the soul merges with creation, and self is forgotten, is to become one with a joy and happiness so tremendous that no mere earthly pleasure can compare.
~ from TAPESTRIES IN SAND: THE SPIRIT OF INDIAN SANDPAINTING by David Villasenor
