I found myself wondering how far she could ultimately journey in her art if she remained self-centered and not God-centered. To be centered entirely on the self is inevitably to be limited in one's range; to be centered on God, aligning one's own self with the power of the Creator is to be open to the spiritual range of all humanity, to be in touch with the eternal, not merely the ephemeral. She was a fine artist, but with her narrowed vision she risked failing to reach her full potential -- or was she, in her preoccupation with beauty and truth, not so far from being God-centered as I in my arrogance supposed?
As I was listening I thought about being in conversation with God, and I was struck by how much Bach's Fugue in G-Minor mirrors my relationship with God. When I first began conversing with God, it was very simple. In reply, God did not repeat my melody but responded in a harmonic way, just as Bach has his instruments do. Over time, our conversation -- the Divine and mine -- has built in richness, complexity, depth and beauty, like the fugue builds. Ebb and flow occur in the dynamics of both music and my communication with God, but my soul is constantly stirred by the heartbreaking beauty of what I hear and what I know.
