What is the way that leads to life? The narrow way, the way less traveled, the alternative wisdom of Love. It has two closely related dimensions. First, it is an invitation to see God as gracious and womblike rather than as the source and enforcer of the requirements, boundaries, and divisions of conventional wisdom to a life that is more and more centered in God. The alternative wisdom of Love sees the religious life as a deepening relationship with the Spirit of God, not as a life of requirements and reward.
~ from MEETING JESUS AGAIN FOR THE FIRST TIME by Marcus J. Borg
When everything familiar has been sheared away -- either because we have physically separated ourselves from our "home", or because our inner exploration has taken us beyond our old self -- we are presented with a great opportunity for spiritual growth. At such time, we are likely to examine our lives more deeply than we ever have before and be asked to trust far beyond our understanding. T.S. Eliot knew this place very well and expressed it eloquently in his poem, "East Coker":
I said to my soul, be still, and wait without hope
For hope would be hope for the wrong thing;
wait without love
For love would be love of the wrong thing;
there is yet faith
But the faith and the love and the hope are all
in the waiting.
~ from THE FEMININE FACE OF GOD by Sherry Anderson and Patricia Hopkins
Expressing gratitude for those who have gone before us is important for a sense of connection and continuity, yet it is from those who walk beside us that we can gain the strength and courage to remain true to one purpose. And what many today are discovering as they "dig a new-way path" is not a teacher or guru or guide, but a "resonator", a friend or companion so true to their own reality that they inspire others to be faithful to theirs. Somehow the resonator calls us to our true selves, reminding us and reflecting to us our deepest possibility, asking the difficult questions and encouraging us to take action.
~ from THE FEMININE FACE OF GOD by Sherry Anderson and Patricia Hopkins with thanks to Martha Gilbert