All through her life, nature had been for Madeleva "beauty's self and beauty's giver." Through it, the divine revealed itself in natural ephiphanies:
Can I not find you in all winds that blow,
In the wild loneliness of lark and plover,
In slender shadow trees upon the snow?
This poem suggests that her prayers had gone beyond words; apparently, only silence could express them. If simplicity, in prayer as in life, is a sign of maturing sanctity, then Madeleva's inner life would seem to have deepened through the years.
The surfaces of the world are aesthetically uneven. You come around a bend in the road and the world suddenly falls open. When we come upon beautiful things... they act like small tears in the surface of the world that pull us through to some vaster space.
The surfaces of the world are aesthetically uneven. You come around a bend in the road and the world suddenly falls open. When we come upon beautiful things . . . they act like small tears in the surface of the world that pull us through to some vaster space.
