Dr. Eaglefield Hull describes Scriabin's attitude to music: His first symphony is a "Hymn to Art" and joins hands with Beethoven's Ninth. His third, the "Divine Poem", expresses the spirit's liberation from its earthly trammels and the consequent free expression of purified personality; while his "Poem of Ecstasy" voices the highest of all joys -- that of creative work. He held that in the artists' incessant creative activity, the constant progression towards the ideal, the spirit alone truly lives.
Much of our work is invisible and intangible. You cannot measure it by human means; and sometimes a period of silent reflection will accomplish more good than if the time had been spent in outward activity. Our work is immaterial where we are and what we do; the thing that matters is who we are and what we intend. Constant preoccupation with exterior work handicaps our knowledge of ourselves and of our intentions.