If only he could work faster. Yet if he did work faster, how could he produce paintings grounded in deep beds of contemplation, the only way living things could be stilled long enough to understand them? And wasn't everything he painted--a breadbasket, a pitcher, a jewelry box, a copper pan--wasn’t it all living?
~ from THE GIRL IN HYACINTH BLUE by Susan Vreeland
Marla says cruel things that she doesn’t mean. That’s how she deals with her painful life. Most of us do not understand that we might see each other only for a brief few times in a single lifetime and yet be eternal friends. Marla is drawn to your soul, Alexander. Your people have the most dazzling and vivid souls. Since Marla has always been so very close to that other world, where only soul exists, she is able to see and love your soul.
