God is everywhere. The animals and flowers all manifest God's presence, as does the marvelous ecological balance we're becoming more aware of in recent times. Everything seems to work together over time to produce a certain consciousness of God's presence.
If only he could work faster. Yet if he did work faster, how could he produce paintings grounded in deep beds of contemplation, the only way living things could be stilled long enough to understand them? And wasn't everything he painted--a breadbasket, a pitcher, a jewelry box, a copper pan--wasn’t it all living?
~ from THE GIRL IN HYACINTH BLUE by Susan Vreeland
