Teilhard de Chardin's knowledge of himself in the Silence is powerfully described in the DIVINE MILIEU:
We must try to penetrate our most secret self, and examine our being from all sides. Let us try, patiently, to perceive the ocean of forces to which we are subjected and in which our growth is, as it were, steeped ... And so, for the first time in my life perhaps (although I am supposed to meditate every day!), I took the lamp and, leaving the zone of everyday occupations and relationships where everything seems clear, I went down into my inmost self, to the deep abyss whence I feel dimly that my power of action emanates. But as I moved further and further away from the conventual, I became aware that I was losing contact with myself. At each step of the descent, a new person was disclosed within me of whose name I was no longer sure, and who no longer obeyed me. And when I had to stop my exploration because the path faded from beneath my steps, I found a bottomless abyss at my feet ... and, if someone saved me, it was hearing the voice of the Gospel speaking to me from the depth of the night: ego sum, noli timere ... It is I, be not afraid!
From the age of six to fourteen I took violin lessons but had no luck with my teachers, for whom music did not transcend mechanical practicing. I really began to learn only after I had fallen in love with Mozart's sonatas. The attempt to reproduce their singular grace compelled me to improve my technique. I believe, on the whole, that love is a better teacher than sense of duty.
~ Albert Einstein, in THE HERON DANCE BOOK OF LOVE AND GRATITUDE