A long and loving look at the universe we inhabit can actually change us. We can become different persons.
Prayer with nature is a passionate listening to the beating heart of the world. It is appreciation. And it is always praise.
Let us plant dates, even though those who plant them will never eat them ... We must live by the love of what we will never see. This is the secret discipline. It is a refusal to let the creative act be dissolved away in immediate sense experience, and a stubborn commitment to the future of our grandchildren. Such disciplined love is what has given prophets, revolutionaries and saints the courage to die for the future they envisaged. They make their own bodies the seed of their highest hope.
~ from TOMORROW'S CHILD by Rubem Alves with thanks to Tina Beneman
Before the restoration, it was the colors I watched, blue, red, yellow, green, pink; the architecture, the meadow, the hedges, the water. Now, what I see is light. White light. Color has been absorbed into form; Form is in the service of surprise. It is the light, the throbbing illumination, glowing on the horizon, rippling in the waters, blowing through the grasses, that touches my lips. Something has been set in motion.
Walking home, I ponder about a love of art and I think about my love of the land back home, about the healing grace of wildness, and how difficult it is to articulate why conservation matters, why wilderness matters to the health of our souls and how a language of the heart becomes suspect. I wonder how it is we have come to this place where art and nature are spoken in terms of what is optional?
In the presence of the Ancient Ones, we deliver new vows in whispers by the authority of our own remembered hearts. Standing before these Elders of Time, we entrust ourselves to each other. Our vows are simple, spontaneous. "Yes, we are here to love. Yes, we are here to experience both shadow and light, forgiveness and joy. We return to each other, rejoined. Together we will love this beautiful, broken world of which we are a part."
Before the restoration, it was the colors I watched, blue, red, yellow, green, pink; the architecture, the meadow, the hedges, the water. Now, what I see is light. White light. Color has been absorbed into form, Form is in the service of surprise. It is the light, the throbbing illumination, glowing on the horizon, rippling in the waters, blowing through the grasses, that touches my lips. Something has been set in MOTION.
