I try to be like water. Water goes to the humblest, lowest places and provides moisture. My place in the world is pinpoint small, but it goes down deep. The residents of this bleak, barren, and disjointed community have taught me that there can be profound wisdom, wonder, and love in a place of almost total despair. Our neighborhood may be nothing like the pristine hallways of a gallery, but we do art here. Our art holds our feelings, the feeling that we care deeply -- like water, like life.
~ from Lily Yeh in "The Other Side," July/August 2004
Mozart's music belongs to all humanity, for the feelings that it expresses are not only his own. Carried to the spiritual elevation that universal symbols require, the symphony is untainted by petty individualism. The music belongs to the world of hope and serenity, not to any particular religion. His work was never a cry but rather a continual revelation. Love, light, and death are one in his music, to such a degree that a single theme sometimes contains all these. Mozart apprehends the human being, their feelings, pain, and hope, then, he leaves us alone in the light, facing the revelation of his own reason for being.
