Frederick Franck turned to the door of the building, a massive wooden sculpture in the form of the sun and its rays, and pushed it open. I saw that it turned on a central axis, so that only one half of the door was open at any one time. To remind us, he murmured, that we step into this sacred space as we walk into life, alone and silently . . . I looked around me and marveled at this ninety-year-old man from whose hand had sprung everything I could see. He had carved the door, made the stained-glass windows and every other object in sight. Pacem in Terris, I realized, was one man’s act of artistic faith: a work of art outside the parameters of the art world, and also a religious statement unconfined by any religion.
The earth is languishing for more contemplatives. We have not even been courteous to her, much less respectful. We have never sincerely asked forgiveness for our massive exploitation of her. We have failed to see that she is numinous and to treat her with proper deference as our mother. It is time now for the child to mother the mother. Nothing less than a mysticism that can perceive the diaphany of the divine at the heart of matter itself is capable of experiencing mystical union with nature. Even if we have not had a vivid mystical experience, we can learn in prayer to meditate on what the union could imply.
