"Only those who obey a rhythm superior to their own are free," wrote Kazantzakis. The superior rhythm is the one made by God and whispered into us at the time that we were whispered into being. It is a rhythm based on the light and darkness of the day itself...a rhythm that supports all of our lives— prayer, rest, community and work. We are called to live lives that are shaped and nurtured and wrestled with until they become a prayer that is prayed without ceasing. To do that will require a rule of some sort, even if it is The Rule of Saint Whatever-Your-Name-Is.
If we surrender who and what we think we are, we may come to such a perfect pitch of attunement that each note struck within us is an everlasting example of the first note, the first sound, from which all music extends ... J.S. Bach once said, "When the right notes are struck at the right time, the instrument plays itself." We are the instruments of God. We must never forget this if we are to truly be of service ... We are asked to be open, to be aware, to be in love with the Beloved with a passion that defies all reason. The expression of love that shatters the discursive mind is the music of life, if we will only listen, if we will only be receptive and awake.
In a cave, all outer sounds are smothered by rock and earth, but this makes the sounds of one's own heartbeat and breath audible. In the same way, contemplative stillness turns us away from everyday clamor but allows us to hear the subtle in our own lives. When listening not with the ear but with the spirit, one can perceive the subtle sound. By entering into that sound, we enter into supreme purity. That is why so many religious traditions pray, sing, or chant as a prelude to silence. They understand that the repetition and absorption of sound leads to sacredness itself. The deepest sound is silence. This may seem paradoxical only if we regard silence as an absence of life and its opposites. It is both sound and soundlessness, and it is in this confluence that the power of meditation emerges.
~ from 365 TAO by Deng Ming-Dao with thanks to Anne Strader
The people sing individually, in groups and often in harmony. I realized some of the songs were as old as time. These people repeat chants created here in the desert before the invention of the calendar. But I also experienced new compositions, music being composed just because I was there. I was told, "Just as a musician seeks musical expression, so the music in the Universe seeks to be expressed." ... A musician carries the music within.
Peter Matthiessen in "Earth and Spirit" speaks of reclaiming our harmony with the universe:
As a first step we might consider this Great Mystery that is all about us ... It is the music of the stars, the color of the winds, the dead stillness between tides ... It is no less and no more strange than our life itself.
