I started to compose the opening of "Fos" (light) and I had the idea of a string trio playing in the distance which would represent the soul yearning for God. The choir represented God in uncreated energies. This yearning choir is played by the string trio which is cut off by the joy/sorrow chord by the choir singing the word "Fos," light, light, light, light, light -- until it becomes an expanded light separated from all yet united to all, and moving straight into the second section, Doxa: symbolizing the glory of that Light filling everything with light.
I felt myself a steady, fixed point on the earth round which a whirling gathered and spun a center. Then it was that I seemed to be no one, to belong to no one, and suddenly beholding the russet light of the turning sumach tree in the pasture, I thought,
I am leaf and I am wind and I am light. Something in the world likes faces and leaves and rivers and woods and wind together and makes of them a string of medallions with all our faces on them, worn forever round our necks, kin.
