"All the stages of one's work have a poetic nature," he continued. "No one gets paid for keeping their own tools cleaned. It is an act of real art; otherwise you don't have a rapport with the tool; then it becomes a rebellious servant, not respected, not properly handled."
One day I confided to Ruth that I felt her house was a living thing. She recalled returning to her home after being aways for four months. "I waxed and shined desks and chairs, and these dead objects returned to life. Their wood almost sprouted new leaves and blossoms. I no longer felt desolate in the house."
Tino's relationship with his tools, and Ruth's care and tending of the objects in her home speak of their attitude to all things. I had to go away, to a foreign land in America, before I could see that the qualities I was looking for were here, practically in my own backyard.
If prayer is the central core of life, then dance becomes prayer when we are expressing our relationship to God, to others, and to the world of matter and spirit, through movement originating from our deepest selves -- this same central point of worship. The movements of dance-prayer start from our deep center, flow outward like rivulets into the stream of life, and impart life everywhere. So dance can be a part of prayer, just as stillness can be a part of music. There is one root; all the rest, movement or stillness, silence or sound, is its expression. The closer the source, the purer the song.
