The winter is cold, is cold.
All's spent in keeping warm.
Has joy been frozen, too?
I blow upon my hands
Stiff from the biting wind.
My heart beats slow, beats slow.
What has become of joy?
If joy's gone from my heart
Then it is closed to You
Who made it, gave it life...
Help me forget the cold
That grips the grasping world.
Let me stretch out my hands
To purifying fire,
Clutching fingers uncurled.
Look! Here is melting joy.
My heart beats once again.
Do you sense me, ready to break
into being at your touch?
My murmurings surround you like shadowy wings.
Can't you see me standing before you
cloaked in stillness?...
I am the dream you are dreaming.
When you want to awaken, I am that wanting:
I grow strong in the beauty you behold.
And with the silence of stars I enfold
your cities made by time.
~ Rainer Maria Rilke translated by Anita Barrows and Joanna Macy in A YEAR WITH RILKE
After the one extravagant gesture of creation in the first place, the universe has continued to deal
exclusively in extravagances, flinging intricacies and colossi down aeons of emptiness, heaping
profusions on profligacies with ever-fresh vigor. The whole show has been on fire from the word go. I
come down to the water to cool my eyes. But everywhere I look I see fire; that which isn't flint is tinder,
and the whole world sparks and flames.
I had no idea that the gate I would step through
to finally enter this world
would be the space my brother's body made. He was
a little taller than me: a young man
but grown, himself by then,
done at twenty-eight, having folded every sheet,
rinsed every glass he would ever rinse under the cold
and running water.
This is what you have been waiting for, he used to say to me.
And I'd say, What?
And he'd say, This—holding up my cheese and mustard sandwich.
And I'd say, What?
And he'd say, This, sort of looking around.
~ Marie Howe from "The Gate" in WHAT THE LIVING DO
Dear Friends ~ May, the month of spring in its fullness, a lovely midway point in the journey to the glorious long hours of summer light. The season is one of blossoming and resurgent life. There is much to be grateful for, to celebrate, to love. Yet as I walk in the greening forest so dear to me, I hold the knowledge that nothing stays: I have left my daily, intimate acquaintance with this place. The forest, for her part, is passing too: already the bluebells by the river's edge have vanished; the dogwood blossoms have fallen. Moreover, the changing climate is putting its own mark on many of the places and beings I have cherished. This is the exquisite melody of mortality. Mary Oliver hums it in giving her well -known advice on living from her poem "In Blackwater Woods":
To live in this world
you must be able
to do three things:
to love what is mortal;
to hold it
'Tis a fearful thing
To love
What death can touch.
To love, to hope to dream,
And oh, to lose.
A thing for fools, this,
Love,
But a holy thing
To love what death can touch.
~ 12th century poem quoted by Francis Weller in THE WILD EDGE OF SORROW
